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#Superscribe music notation manual#

Articulations alone can serve this purpose. A common error is beaming to show phrasing instead of meter.

Barlines should break between choirs according to the large group bracketing.īeaming Reinforces Meter.

Do NOT follow the old practice of using double barlines at changes of meter.

An example would be in a fast piece conducted in one a thick barline here and there relating to the musical phrasing will help players not get lost.

In some situations, it can be helpful to use (single) heavy barlines to indicate phrase divisions, or groupings of bars.

Use double barlines to indicate sudden changes of tempo – both isolated changes and strict tempo modulations (quarter = dotted quarter).

Use a courtesy accidental for a natural pitch in a new bar, following the same pitch name in the previous bar with an accidental.Īrticulations should be placed on the note head side, and with the exception of the staccato mark should be placed outside the staff.

Use accidentals for new octaves of the same pitch class.

(Based on the International Conference on New Music Notation in 1974.) Music Notation in the Twentieth Century: A Practical Guidebook. New York: W. (paperback edition: New York: Taplinger Publishing Company, 1979)

#Superscribe music notation manual#

Music Notation: A Manual of Modern Practice. Second Edition. Boston: Crescendo Publishers, 1969. The composition department recognizes the three works listed below as standards of notational practice you should refer to one of them when in doubt about correct procedures, and should consult your committee for advice. However, if you are preparing a thesis or dissertation, consult with your document chair before deviating from the guide below this will save everyone a great deal of time. Rules are made to be broken, if for good reason. The overriding goals of this guide are achieving clarity of musical intent and demonstrating professionalism. This style guide has been developed in an effort to standardize at least the IU composition department preferences for notation, particularly regarding theses and dissertations. Principal authors are David Dzubay and Don Freund, writing in consultation with Claude Baker, PQ Phan, and Aaron Travers. 來源(9): Moby Thesaurus II by Grady Ward, 1.The faculty of the IU Composition Department recognizes that there is not uniform field-wide agreement about many notational issues composers face. An examined copy of the books of unincorporated banks are not, per se,Įvidence. It is not requisite that the persons examining should exchange, papers, and read them alternately. To prove a copy of a record, the witness must be able to swear that he has examined it, line for line, with the original, or has examined the copy, while another person read the original. Copies cannot be given in evidence, unless proof is made that the originals, from which they are taken, are lost, or in the power of the opposite party and in the latter case, that notice has been given him to produce the original. A copy is a true transcript of an original writing.Ģ. 來源(8): Bouvier's Law Dictionary, Revised 6th Ed (1856) ĬOPY. 來源(4): The Collaborative International Dictionary of English v.0.48 Ĭopy \Cop"y\ ( k p"), n.